M1 and D1: Codes and Conventions of Film Noir Detective Dramas and How They Create Meaning
D1: Codes and Conventions of Film Noir Detective Dramas and How Meaning Was Created
M1: Codes and Conventions In My Rushes
In our rushes, we took all of those codes and conventions into consideration. I will also evaluate my rushes and how they compare to the other short films (The Detective and Knives out) I mentioned above in D1. D1 and M1 link so some of the information will be similar.
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We learnt about the genre theory in unit one. Neale, Altman and Mittel are the three theorists that created this theory in the 1980s. Steve Neale said that genres should contain similarities so the audience understands what genre of media they are watching, but also contain differences so the media is unique; this is the repetition and difference theory. Altman created the audience pleasure genre theory. There are different pleasures that a media product can give an audience. Visceral pleasure (feeling the thrill of a car chase for example), emotional pleasure (watching something sad or happy like characters reuniting) and intellectual puzzle pleasure. Our Newspaper short film is intellectual pleasure since our audience are given clues along the way and they have to find out who is the murderer as the story progresses. Mittel debates that the media industry uses genre commerically. He says that the industry exploits audiences who like a certain genre by recycling the codes and conventions that audiences love. Relating to Neale's theory, we are using the codes and conventions of a detective film noir, but our characters are different and the story is different to other media in the genre.
As you can see, we used mise en scène straight from the first scene. In this scene, we see The Detective's office. He gets a phone call and talks on the phone to the Chief of Police. We set his office desk up like the photo above. To fit with the modern era, we used a laptop. This is used in place of his notepad that detective's would use in older detective movies. I edited this black and white to fit the detective film noir conventions and to create a sense of mystery. This is why we used the lamp; the light creates shadows which is brilliant for mise en scene because film noir movies rely on lighting and shadows. We chose for all of the light to be from just that lamp in the office scenes to make sure we had our shadows. We also placed a Newspaper because this relates to the storyline; the newspapers relate to mise en scene but the newspapers are clues to show who the murderer is. Detectives are known for having spare notebooks, paper, pens, pencils, stapelers and holepunchers to help them with paperwork or write any other notes they need so we included these in our short film. In the crime scene investigation scene, our detective does take a small notepad and pen, we make this very clear since he writes the suspect's names on one of the pages and he takes a few notes.
As you can see in the rushes, our Detective is wearing modern detective clothing: White shirt, tie, black trousers and shoes. This shows how the Dectetive is tidy and organised (we show this through his desk layout too) and it helps the audience recognise straight away that he is the detective in this short film. We used a wide range of camera shots, angles and movements throughout our short film. To fit with conventions, we used establishing shots, medium shots and close up shots just like The Detective YT short film that I analysed. The variation in shots will keep the attention of the audience as they watch the short film; we also used a tracking shot around The Detective in the first scene and we use a pan to the left when we did the park establishing shot. This is another strong point of our short film, we did a very good job at changing the different shots especially to keep the pace of the short film.I think mise en scene is one of the strongest points of our short film. We created the exact atmosphere that other detective drama films have; the short film does look and feel like one of those films.
Our audio could have been better in some rushes. We did struggle with getting the audio since the microphones that attach the the cameras had no power so we had to compromise. In scene 1 the audio doesn't matter since I cut will be cutting this out and replacing it with background music. I wil get all of my background music from the free music archive website. We will create dubbing using the UM-900 Professional USB Condenser microphone if we can't reshoot a scene and the dialogue isn't clear. We have already filmed some foley sounds using this microphone and voiceovers. For example, when The Detective is organising his desk, we will include our foley sounds here. We are going to include monologues and voiceovers in our short film to fit with detective film conventions and to make sure the audience knows what is going on in our storyline. Our audio could be better but the outside environment and trouble with the equipment has made our audio worse that it could have been.
We worked as a team but I directed the actors. We assigned roles to each other (I directed, filmed, edited, created the graphics) to help us work collaboratively and to finish our Newspaper short film. We created a script and followed some of it. I told the actors how to act and what to do while I filmed the short film with my team (who I also directed to tell them what camera shots, angles and movements were needed). If we had enough time, we could have redone some acting scenes when our actors are stuttering or not saying the right words. However, it worked out alright and my directing brought the rushes and short film together before the other groups finished and before the deadline.
Relating to D1, I used the film Sin City and the short film on YouTube called The Detective as my inspirations for our Newspaper detective drama short film. In The Detective, it starts with an establishing shot of the building. The Detective has a monologue and sets the short film. He tells the audience the date and the case he has been asked to work on, these are The Detective's thoughts. They use lots of close up shots and there is this one shot in paticular where they use the blinds to make his eyes show up in the light and the rest of his face is in the shadows. This creates suspense and it is also a great way to use mise en scene, lighting and shadows. They also have great mise en scene with The Detective wearing a trenchcoat. His desk has a typewiter, alcohol and he is smoking a cigarette which is a convention of old detective films. He also has case files which any detective drama has for mise en scene. In this section of Sin City, The Detective has a monologue while driving a car. This happens in film noir just like The Detective short film. The camera zooms into his face while we hear the monologue. Even in the talking scenes, the camera uses close up shots on the detective.
RUSHES LOG
Newspaper
File name | Date shot | Content | Suitability | Post production notes (e.g. SFX / continuity notes) |
O Newspaper 1 | 27/06/22 | A medium side shot of The Detective holding a newspaper with the letter “O” on it. | Suitable to use in the final edit |
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O Newspaper 2 | 27/06/22 | A medium side shot of The Detective holding a newspaper with the letter “O” on it. | Suitable to use in the final edit. |
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O Newspaper 3 | 27/06/22 | A medium side shot of The Detective holding a newspaper with the letter “O” on it. | Suitable to use in the final edit. | Need to adjust audio to remove ambient noise in Audition |
Opening Scene 1 | 27/06/22 | A panning shot around The Detective. | Suitable to use in the final edit. |
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Opening Scene 2 | 27/06/22 | A panning shot around The Detective. | Suitable to use in the final edit. |
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Opening Scene 3 | 27/06/22 | A panning shot around The Detective. | Suitable to use in the final edit. |
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Organising Desk 1 | 27/06/22 | A side shot of The Detective organising his desk | Suitable to use in the final edit. |
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Organising Desk Over Shoulder | 27/06/22 | A shot of The Detective organising his desk from over his shoulders. | Suitable to use in the final edit. |
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Phone Ringing 1 | 27/06/22 | Over the top shot of the phone ringing. | Suitable to use in the final edit. |
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Phone Ringing 2 | 27/06/22 | Over the top shot of the phone ringing. | Suitable to use in the final edit. |
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S Newspaper 1 | 27/06/22 | Over the top shot of a newspaper with the letter “S”. | Suitable to use in the final edit. |
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S Newspaper 2 | 27/06/22 | Over the top shot of a newspaper with the letter “S”. | Suitable to use in the final edit. |
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S Newspaper 3 | 27/06/22 | Over the top shot of a newspaper with the letter “S”. | Suitable to use in the final edit. |
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S Newspaper 4 | 27/06/22 | Over the top shot of a newspaper with the letter “S”. | Suitable to use in the final edit. |
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S Newspaper 5 | 27/06/22 | Over the top shot of a newspaper with the letter “S”. | Suitable to use in the final edit. |
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Talking Phone 1 | 27/06/22 | Side shot of The Detective talking on the phone. | Suitable to use in the final edit. |
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MVI_7038 | 28/06/22 | Sound | Used for the background audio. |
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MVI_7039 | 28/06/22 | Sound | Used for the background audio. |
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MVI_7040 | 28/06/22 | Sound | Used for the background audio. |
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A Newspaper 1 | 28/06/22 | Over the top shot of a newspaper with the letter “A”. | Suitable to use in the final edit. |
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A Newspaper 2 | 28/06/22 | Over the top shot of a newspaper with the letter “A” | Suitable to use in the final edit. |
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A Newspaper 3 | 28/06/22 | Over the top shot of a newspaper with the letter “A” | Suitable to use in the final edit. |
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A Newspaper 4 | 28/06/22 | Over the top shot of a newspaper with the letter “A” | Suitable to use in the final edit. |
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Entering 1 | 28/06/22 | The Detective entering the shot from behind the bushes | Went too far, too fast. |
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Entering 2 | 28/06/22 | The Detective entering the shot from behind the bushes | Not in middle of frame. |
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Entering 3 | 28/06/22 | The Detective entering the shot from behind the bushes | Suitable to use in the final edit. |
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Entering Continued 1 | 28/06/22 | The Detective getting his notepad and pen out ready to write. | Too close to camera. |
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Entering Continued 2 | 28/06/22 | The Detective getting his notepad and pen out ready to write. | Suitable to use in the final edit. |
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Kneeling Near Newspaper | 28/06/22 | The Detective entering the shot near the newspapers which are on the ground and kneeling down and noting things down on notepad. | Suitable to use in the final edit. |
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Kneeling Pan Up 1 | 28/06/22 |
The Detective kneeling near the newspapers as the camera pans upwards | Camera falls at the end. |
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Kneeling Pan Up 2 | 28/06/22 | The Detective kneeling near the newspapers as the camera pans upwards. | Suitable to use in the final edit. |
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Long Enter Pan 1 | 28/06/22 | Wide Angle Long Shot of The Detective entering from behind the bushes. | Zooms into the ground. |
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Long Enter Pan 2 | 28/06/22 | Wide Angle Long Shot of The Detective entering from behind the bushes. | Suitable to use in the final edit. |
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Noting Down | 28/06/22 | Mid Shot of The Detective standing up and writing notes. | Suitable to use in the final edit. |
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On Phone Noting 1 | 28/06/22 | Mid Shot of The Detective standing up and writing notes while on the phone. | Jay jumps in front of camera. |
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On Phone Noting 2 | 28/06/22 | Mid Shot of The Detective standing up and writing notes while on the phone. | Suitable to use in the final edit. |
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Over Shoulder Noting 1 | 28/06/22 | Close Up Over the Shoulder Shot of The Detective writing the names of the suspects in the notepad. | Too close to shoulder, can’t see notepad. |
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Over Shoulder Noting 2 | 28/06/22 | Close Up Over the Shoulder Shot of The Detective writing the names of the suspects in the notepad. | Suitable to use in the final edit. |
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Pan 1 | 28/06/22 | Overarching Pan of the Scene. | Suitable to use in the final edit. |
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Pan 2 | 28/06/22 | Overarching Pan of the Scene. | Suitable to use in the final edit. |
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Pan 3 | 28/06/22 | Overarching Pan of the Scene. | Suitable to use in the final edit. |
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Pan 4 | 28/06/22 | Overarching Pan of the Scene. | Suitable to use in the final edit. |
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Shot of Possible Angle | 28/06/22 | Shot from the bottom of the hill where the newspaper is, focusing in on where The Detective is going to come out from the bushes. | Blooper, not suitable to use in the final edit. |
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Taking Call 1 | 28/06/22 | Mid Shot of The Detective taking a call and trying to note down. | Failed attempt |
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Taking Call 2 | 28/06/22 | Mid Shot of The Detective taking a call and trying to note down. |
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A Newspaper Cutaway Shot | 28/06/22 | Zoom in and out of a newspaper with the letter “A” on it. |
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Clock Cutaway | 27/06/22 | A close up shot of a clock. |
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James Dialogue 1 V1 | 27/06/22 | An over the shoulder shot from behind The Detective’s right shoulder while talking to James. |
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James Dialogue 1 V2 | 27/06/22 | An over the shoulder shot from behind The Detective’s left shoulder while talking to James. |
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James Dialogue 2 V1 | 27/06/22 | An over the shoulder shot from behind The Detective’s right shoulder while talking to James. |
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James Dialogue 2 V2 | 27/06/22 | An over the shoulder shot from behind The Detective’s right shoulder while talking to James. |
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James Dialogue 2 V3 | 27/06/22 | An over the shoulder shot from behind The Detective’s left shoulder while talking to James. |
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James Dialogue 3 | 27/06/22 | An over the shoulder shot from behind The Detective’s right shoulder while talking to James. |
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James Sits Down | 27/06/22 | James walking into office and sitting down | Smiles |
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James Walks Through Door | 27/06/22 | James and The Detective walk into the office |
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End of James Scene | 27/06/22 | Camera Pans Down as James clutches his head into his knees. |
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Damn this Guys a Tough Cookie 1 | 27/06/22 | Camera behind The Detective, and The Detective turns back. |
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Damn this Guys a Tough Cookie 2 | 27/06/22 | Camera behind The Detective, and The Detective turns back. |
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Mikhail Dialogue 1 | 27/06/22 | Camera Pans Right to Left, The Detective and Mikhail talking. |
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Mikhail Dialogue 2, Lamp | 27/06/22 | Over Shoulder from The Detective’s shoulder, Lamp in Mikhail’s face |
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Mikhail Dialogue 3 | 27/06/22 | Side Medium Shot of The Detective and Mikhail talking. |
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Mikhail Dialogue 4, Walks Out | 27/06/22 | Fisheye, Mikhail walks out, The Detective throws pencil. |
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Do You Know Who Nancy Is | 27/06/22 | Behind shoulder, Detective and Mikhail talking. |
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Lamp Falls | 27/06/22 | Mid Shot, Detective puts lamp onto table and it falls. |
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Mikhail Enters Office | 27/06/22 | Mid Shot, Detective and Mikhail enter the office and sit down. |
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Mikhail Unlocks Door and Goes | 27/06/22 | Fisheye Mid Shot, Mikhail leaves the office. |
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Mikhail Dialogue 1 V2 | 27/06/22 | High Mid Shot, Mikhail and Detective talking. |
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Mikhail Dialogue 2 V2 | 27/06/22 | High Mid Shot, Mikhail and Detective talking. |
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Mikhail Dialogue 3 V2 | 27/06/22 | Mid Shot, Mikhail and Detective talking, Camera Pans to the right following Detective. |
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Mikhail Dialogue 4 V2 | 27/06/22 | Mid Shot, Behind Detective, Mikhail and Detective talking. |
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Mikhail Dialogue 5 V2 | 27/06/22 | Close Mid Shot, Mikhail talking. |
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Putting Lamp Down | 27/06/22 | Mid shot behind Detective, Detective putting lamp down and sitting down. |
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Phone Call in Office | 27/06/22 | Mid Shot, Behind Detective, Detective sits down, gets called, leaves office. |
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Mikhail Arranges Newspapers | 27/06/22 | Camera looking up, Mikhail arranging newspapers |
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Mikhail Newspapers in Order | 27/06/22 | Camera looking down at the newspapers in order saying “OSCAR”, behind Mikhail. |
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POV Taking Newspaper from Bin | 27/06/22 | Camera looking up, Mikhail grabs camera. |
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Take Newspaper From Bin | 27/06/22 | Mid shot, Mikhail grabs Newspaper from Bin. |
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Chloroform | 27/06/22 | Mid shot, Detective behind window, comes into room and knocks Mikhail out. |
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Chloroform V2 | 27/06/22 | Mid shot, Detective behind window, comes into room and knocks Mikhail out. |
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Detective Grabs Camera | 27/06/22 | Mid shot, Detective gets up and grabs camera. |
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